The Swerve Page 8

  That the villa’s powerful owner and his friends took pleasure in grappling with such questions and were willing to devote significant periods of their very busy lives to teasing out possible answers reflects their conception of an existence appropriate for people of their education, class, and status. It reflects as well something extraordinary about the mental or spiritual world they inhabited, something noted in one of his letters by the French novelist Gustave Flaubert: “Just when the gods had ceased to be, and the Christ had not yet come, there was a unique moment in history, between Cicero and Marcus Aurelius, when man stood alone.” No doubt one could quibble with this claim. For many Romans at least, the gods had not actually ceased to be—even the Epicureans, sometimes reputed to be atheists, thought that gods existed, though at a far remove from the affairs of mortals—and the “unique moment” to which Flaubert gestures, from Cicero (106–43 BCE) to Marcus Aurelius (121–180 CE), may have been longer or shorter than the time frame he suggests. But the core perception is eloquently borne out by Cicero’s dialogues and by the works found in the library of Herculaneum. Many of the early readers of those works evidently lacked a fixed repertory of beliefs and practices reinforced by what was said to be the divine will. They were men and women whose lives were unusually free of the dictates of the gods (or their priests). Standing alone, as Flaubert puts it, they found themselves in the peculiar position of choosing among sharply divergent visions of the nature of things and competing strategies for living.

  The charred fragments in the library give us a glimpse of how the villa’s residents made this choice, whom they wished to read, what they are likely to have discussed, whom they might have summoned to enter into the conversation. And here the Norwegian papyrologist’s tiny fragments become deeply resonant. Lucretius was a contemporary of Philodemus and, more important, of Philodemus’ patron, who may, when he invited friends to join him for an afternoon on the verdant slopes of the volcano, have shared with them passages from On the Nature of Things. Indeed, the wealthy patron with philosophical interests could have wished to meet the author in person. It would have been a small matter to send a few slaves and a litter to carry Lucretius to Herculaneum to join the guests. And therefore it is even remotely possible that, reclining on a couch, Lucretius himself read aloud from the very manuscript whose fragments survive.

  If Lucretius had participated in the conversations at the villa, it is clear enough what he would have said. His own conclusions would not have been inconclusive or tinged with skepticism, in the manner of Cicero. The answers to all of their questions, he passionately argued, were to be found in the work of a man whose portrait bust and writings graced the villa’s library, the philosopher Epicurus28.

  It was only Epicurus, Lucretius wrote, who could cure the miserable condition of the man who, bored to death at home, rushes off frantically to his country villa only to find that he is just as oppressed in spirit. Indeed, in Lucretius’ view, Epicurus, who had died more than two centuries earlier, was nothing less than the saviour. When “human life29 lay groveling ignominiously in the dust, crushed beneath the grinding weight of superstition,” Lucretius wrote, one supremely brave man arose and became “the first who ventured to confront it boldly.” (1.62ff.) This hero—one strikingly at odds with a Roman culture that traditionally prided itself on toughness, pragmatism, and military virtue—was a Greek who triumphed not through the force of arms but through the power of intellect.

  On the Nature of Things is the work of a disciple who is transmitting ideas that had been developed centuries earlier. Epicurus, Lucretius’ philosophical messiah, was born toward the end of 342 BCE on the Aegean island of Samos where his father, a poor Athenian schoolmaster, had gone as a colonist. Many Greek philosophers, including Plato and Aristotle, came from wealthy families and prided themselves on their distinguished ancestry. Epicurus decidedly had no comparable claims. His philosophical enemies, basking in their social superiority, made much of the modesty of his background. He assisted his father in his school for a pittance, they sneered, and used to go round with his mother to cottages to read charms. One of his brothers, they added, was a pander and lived with a prostitute. This was not a philosopher with whom respectable people should associate themselves.

  That Lucretius and many others did more than simply associate themselves with Epicurus—that they celebrated him as godlike in his wisdom and courage—depended not on his social credentials but upon what they took to be the saving power of his vision. The core of this vision may be traced back to a single incandescent idea: that everything that has ever existed and everything that will ever exist is put together out of indestructible building blocks, irreducibly small in size, unimaginably vast in number. The Greeks had a word for these invisible building blocks, things that, as they conceived them, could not be divided any further: atoms.

  The notion of atoms, which originated in the fifth century BCE with Leucippus of Abdera and his prize student Democritus, was only a dazzling speculation; there was no way to get any empirical proof and wouldn’t be for more than two thousand years. Other philosophers had competing theories: the core matter of the universe, they argued, was fire or water or air or earth, or some combination of these. Others suggested that if you could perceive the smallest particle of a man, you would find an infinitesimally tiny man; and similarly for a horse, a droplet of water, or a blade of grass. Others again proposed that the intricate order in the universe was evidence of an invisible mind or spirit that carefully put the pieces together according to a preconceived plan. Democritus’ conception of an infinite number of atoms that have no qualities except size, figure, and weight—particles then that are not miniature versions of what we see but rather form what we see by combining with each other in an inexhaustible variety of shapes—was a fantastically daring solution to a problem that engaged the great intellects of his world.

  It took many generations to think through the implications of this solution. (We have by no means yet thought through them all.) Epicurus began his efforts to do so at the age of twelve, when to his disgust his teachers could not explain to him the meaning of chaos. Democritus’ old idea of atoms seemed to him the most promising clue, and he set to work to follow it wherever it would take him. By the age of thirty-two he was ready to found a school. There, in a garden in Athens, Epicurus constructed a whole account of the universe and a philosophy of human life.

  In constant motion, atoms collide with each other, Epicurus reasoned, and in certain circumstances, they form larger and larger bodies. The largest observable bodies—the sun and the moon—are made of atoms, just as are human beings and water-flies and grains of sand. There are no supercategories of matter; no hierarchy of elements. Heavenly bodies are not divine beings who shape our destiny for good or ill, nor do they move through the void under the guidance of gods: they are simply part of the natural order, enormous structures of atoms subject to the same principles of creation and destruction that govern everything that exists. And if the natural order is unimaginably vast and complex, it is nonetheless possible to understand something of its basic constitutive elements and its universal laws. Indeed, such understanding is one of human life’s deepest pleasures.

  This pleasure is perhaps the key to comprehending the powerful impact of Epicurus’ philosophy;30 it was as if he unlocked for his followers an inexhaustible source of gratification hidden within Democritus’ atoms. For us, the impact is rather difficult to grasp. For one thing, the pleasure seems too intellectual to reach more than a tiny number of specialists; for another, we have come to associate atoms far more with fear than with gratification. But though ancient philosophy was hardly a mass movement, Epicurus was offering something more than caviar to a handful of particle physicists. Indeed, eschewing the self-enclosed, specialized language of an inner circle of adepts, he insisted on using ordinary language, on addressing the widest circle of listeners, even on proselytizing. And the enlightenment he offered did not require sustained scientific inquiry. You d
id not need a detailed grasp of the actual laws of the physical universe; you needed only to comprehend that there is a hidden natural explanation for everything that alarms or eludes you. That explanation will inevitably lead you back to atoms. If you can hold on to and repeat to yourself the simplest fact of existence—atoms and void and nothing else, atoms and void and nothing else, atoms and void and nothing else—your life will change. You will no longer fear Jove’s wrath, whenever you hear a peal of thunder, or suspect that someone has offended Apollo, whenever there is an outbreak of influenza. And you will be freed from a terrible affliction—what Hamlet, many centuries later, described as “the dread of something after death,/The undiscovered country from whose bourn/No traveller returns.”

  The affliction—the fear of some horrendous punishment waiting for one in a realm beyond the grave—no longer weighs heavily on most modern men and women, but it evidently did in the ancient Athens of Epicurus and the ancient Rome of Lucretius, and it did as well in the Christian world inhabited by Poggio. Certainly Poggio would have seen images of such horrors, lovingly carved on the tympanum above the doors to churches or painted on their inner walls. And those horrors were in turn modeled on accounts of the afterlife fashioned in the pagan imagination. To be sure, not everyone in any of these periods, pagan or Christian, believed in such accounts. Aren’t you terrified, one of the characters in a dialogue by Cicero asks, by the underworld, with its terrible three-headed dog, its black river, its hideous punishments? “Do you suppose31 me so crazy as to believe such tales?” his companion replies. Fear of death is not about the fate of Sisyphus and Tantalus: “Where is the crone so silly as to be afraid” of such scare stories? It is about the dread of suffering and the dread of perishing, and it is difficult to understand,32 Cicero wrote, why the Epicureans think that they are offering any palliative. To be told that one perishes completely and forever, soul as well as body, is hardly a robust consolation.

  Followers of Epicurus responded by recalling the last days of the master, dying from an excruciating obstruction of the bladder but achieving serenity of spirit by recalling all of the pleasures he had experienced in his life. It is not clear that this model was easily imitable—“Who can hold a fire in his hand/By thinking on the frosty Caucasus?” as one of Shakespeare’s characters asks—but then it is not clear that any of the available alternatives, in a world without Demerol or morphine, was more successful at dealing with death agonies. What the Greek philosopher offered was not help in dying but help in living. Liberated from superstition, Epicurus taught, you would be free to pursue pleasure.

  Epicurus’ enemies seized upon his celebration of pleasure and invented malicious stories of his debauchery, stories heightened by his unusual inclusion of women as well as men among his followers. He “vomited twice a day33 from over-indulgence,” went one of these stories, and spent a fortune on his feasting. In reality, the philosopher seems to have lived a conspicuously simple and frugal life. “Send me a pot of cheese,” he wrote once to a friend, “that, when I like, I may fare sumptuously.” So much for the alleged abundance of his table. And he urged a comparable frugality on his students. The motto carved over the door to Epicurus’ garden urged the stranger to linger, for “here our highest good is pleasure.” But according to the philosopher Seneca, who quotes these words in a famous letter that Poggio and his friends knew and admired, the passerby who entered34 would be served a simple meal of barley gruel and water. “When we say, then,35 that pleasure is the goal,” Epicurus wrote in one of his few surviving letters, “we do not mean the pleasures of the prodigal or the pleasures of sensuality.” The feverish attempt to satisfy certain appetites—“an unbroken succession of drinking bouts and of revelry … sexual love … the enjoyment of the fish and other delicacies of a luxurious table”—cannot lead to the peace of mind that is the key to enduring pleasure.

  “Men suffer the worst evils36 for the sake of the most alien desires,” wrote his disciple Philodemus, in one of the books found in the library at Herculaneum, and “they neglect the most necessary appetites as if they were the most alien to nature.” What are these necessary appetites that lead to pleasure? It is impossible to live pleasurably, Philodemus continued, “without living prudently and honourably and justly, and also without living courageously and temperately and magnanimously, and without making friends, and without being philanthropic.”

  This is the voice of an authentic follower of Epicurus, a voice recovered in modern times from a volcano-blackened papyrus roll. But it is hardly the voice that anyone familiar with the term “Epicureanism” would ever expect. In one of his memorable satirical grotesques, Shakespeare’s contemporary Ben Jonson perfectly depicted the spirit in which Epicurus’ philosophy was for long centuries widely understood. “I’ll have all my beds37blown up, not stuffed,” Jonson’s character declares. “Down is too hard.”

  My meat shall all come in in Indian shells,

  Dishes of agate, set in gold, and studded,

  With emeralds, sapphires, hyacinths, and rubies….

  My foot-boy shall eat pheasants, calvered salmons,

  Knots, godwits, lampreys. I myself will have

  The beards of barbels served instead of salads;

  Oiled mushrooms; and the swelling unctuous paps

  Of a fat pregnant sow, newly cut off,

  Drest with an exquisite and poignant sauce;

  For which, I’ll say unto my cook, “There’s gold,

  Go forth and be a knight.”

  The name Jonson gave to this mad pleasure seeker is Sir Epicure Mammon.

  A philosophical claim that life’s ultimate goal is pleasure—even if that pleasure was defined in the most restrained and responsible terms—was a scandal, both for pagans and for their adversaries, the Jews and later the Christians. Pleasure as the highest good? What about worshipping the gods and ancestors? Serving the family, the city, and the state? Scrupulously observing the laws and commandments? Pursuing virtue or a vision of the divine? These competing claims inevitably entailed forms of ascetic self-denial, self-sacrifice, even self-loathing. None was compatible with the pursuit of pleasure as the highest good. Two thousand years after Epicurus lived and taught, the sense of scandal was still felt intensely enough to generate the manic energy in travesties like Jonson’s.

  Behind such travesties lay a half-hidden fear that to maximize pleasure and to avoid pain were in fact appealing goals and might plausibly serve as the rational organizing principles of human life. If they succeeded in doing so, a whole set of time-honored alternative principles—sacrifice, ambition, social status, discipline, piety—would be challenged, along with the institutions that such principles served. To push the Epicurean pursuit of pleasure toward grotesque sensual self-indulgence—depicted as the single-minded pursuit of sex or power or money or even (as in Jonson) extravagant, absurdly expensive food—helped to ward off the challenge.

  In his secluded garden in Athens, the real Epicurus, dining on cheese, bread, and water, lived a quiet life. Indeed, one of the more legitimate charges against him was that his life was too quiet: he counseled his followers against a full, robust engagement in the affairs of the city. “Some men have sought38 to become famous and renowned,” he wrote, “thinking that thus they would make themselves secure against their fellow-men.” If security actually came with fame and renown, then the person who sought them attained a “natural good.” But if fame actually brought heightened insecurity, as it did in most cases, then such an achievement was not worth pursuing. From this perspective, Epicurus’ critics observed, it would be difficult to justify most of the restless striving and risk taking that leads to a city’s greatness.

  Such a criticism of Epicurean quietism may well have been voiced in the sun-drenched garden of Herculaneum: the guests at the Villa of the Papyri, after all, would probably have included their share of those who sought fame and renown at the center of the greatest city in the Western world. But perhaps Julius Caesar’s father-in-law—if Piso
was indeed the villa’s owner—and some in his circle of friends were drawn to this philosophical school precisely because it offered an alternative to their stressful endeavors. Rome’s enemies were falling before the might of its legions, but it did not take prophetic powers to perceive ominous signs for the future of the republic. And even for those most safely situated, it was difficult to gainsay one of Epicurus’ celebrated aphorisms: “Against other things39 it is possible to obtain security, but when it comes to death we human beings all live in an unwalled city” The key point, as Epicurus’ disciple Lucretius wrote in verses of unrivalled beauty, was to abandon the anxious and doomed attempt to build higher and higher walls and to turn instead toward the cultivation of pleasure.

  CHAPTER FOUR

  THE TEETH OF TIME

  APART FROM THE charred papyrus fragments recovered in Herculaneum, there are no surviving contemporary manuscripts from the ancient Greek and Roman world. Everything that has reached us is a copy, most often very far removed in time, place, and culture from the original. And these copies represent only a small portion of the works even of the most celebrated writers of antiquity. Of Aeschylus’ eighty or ninety plays and the roughly one hundred twenty by Sophocles, only seven each have survived; Euripides and Aristophanes did slightly better: eighteen of ninety-two plays by the former have come down to us; eleven of forty-three by the latter.

  These are the great success stories. Virtually the entire output of many other writers, famous in antiquity, has disappeared without a trace. Scientists, historians, mathematicians, philosophers, and statesmen have left behind some of their achievements—the invention of trigonometry, for example, or the calculation of position by reference to latitude and longitude, or the rational analysis of political power—but their books are gone. The indefatigable scholar Didymus of Alexandria1 earned the nickname Bronze-Ass (literally, “Brazen-Bowelled”) for having what it took to write more than 3,500 books; apart from a few fragments, all have vanished. At the end of the fifth century CE an ambitious literary editor2 known as Stobaeus compiled an anthology of prose and poetry by the ancient world’s best authors: out of 1,430 quotations, 1,115 are from works that are now lost.